Juno film Essay

JunoThe use up I conduct chosen for this paper is the drama-comedy Juno directed by Jason Reirman. It is a domestic comedy with uncontrolled elements. In the pullulate, you go ab appear to follow Juno MacGuff, a 16-years-old girl, as her life changes when she finds verboten that she is pregnant. Its a realistic demand told from Junos point of view. The film touches several contr all everywheresial, populist themes, but manages to do so without organism clich. The near about obvious being the teen pregnancy, but other(a) subject fields such as the curiosity of sex among teenagers, the constant inquiring of whether abortion is okay or non comes a retentive with it. A big part of the film takes hindquarters in Junos home, which is typical for a domestic comedy. The important darn of the movie touches themes common to family life.There is the modern family core with stepmothers and half-siblings, the complicity in being a teenager as well as raising unrivaled. The muc h or less ordinary family life is displayed with a lot of humor. The questioning of stereotypes and prejudices play a big role in this film, as do contrasts. Instead of the cheerleader getting pregnant with the quarterback, as umteen would expect, it is the tomboy and the geeky moon-curser who end up in that situation. As most teens portrayed in films, Juno has a close girlfriend. The odd thing in this case is that it is not a girl conside rose-cheeked stranger than Juno herself in terms of norms, it is the cheerleader. In many other of these teen films, usu solelyy the cheerleader bugs the odd girl, as for usage in Mean Girls. The most prominent contrast in the film is the home of the MacGuffs VS. the home of the adoptive p arnts place and Vanessa Loring. The 2 homes be align the likes of twain distinct worlds. In the MacGuff house, it follow by means ofs like it is insufferable to have too many lamps, ornamental dogs or photo frames.The tint scale goes in earthy bro wnish t iodines. Meanwhile, the Loring house does not seem to ever be perfect enough. As Vanessa and Mark atomic number 18 introduced to the story, Vanessa is putting the photo frames in order and arranging the flowers until they atomic number 18 perfect. The dominant alter in the Loring house be clean silver colors as beige and white. The houses become symbolic representations for how different the two families are. The easygoing, untidy MacGuffs, and the up miserly, stiff Lorings. For the opening scene of the film, there is a long apoplexy of Juno standing in front of an armcfuzz. The armchair is going to be a symbol doneout the movie. The tv television photographic camera ejects to a close up of Junos face and her exhaust eyes staring at the chair, delivering a mental object of frustration and hopelessness.She has a monolog where she tells the viewer about the chair, that it was in a chair everything started, where she got pregnant. A film inside the film of Junos mem ories from that moment is shown for the viewer. A dog barks and the camera makes a quick cut back to reality, Juno and the chair. She leaves the chair behind and the camera follows her as she goes to the local corner shop to get a pregnancy test, the tercet for the day. She is dressed in a red oaf and blue jeans, the red symbolizes her strong, colorful personality. Red is as well a symbol for life and vitality, a color symbolism very suitable for the scene. She takes the pregnancy test in the stores narrow restroom, which has a dim low-key comening. The linguistic context reinforces the whole step of Juno being painted into a corner. As she takes the test, the camera cuts amidst close-ups of Junos legs as she sits down, the pregnancy test and her face. These close-ups make the relationship between Juno and the viewer intimate and one gets to feel sympathy for her. It is important to vertebral column the sympathy for Juno in the beginning of the film since the viewer will get to follow her during her journey. Juno leaves the store and walks home, the camera follows her from behind. Darkness has fallen and Juno has put the hood over her head as a commission to alienate herself from the meet world. As she walks, a group of guys from her school comes running towards her.They are out of focus and run by her on both sides, creating like a tunnel for Juno to walk through. To me the runners are a metaphor for the thoughts running through Junos head and the difficult repressed situation in which she has end up. Juno is portrayed as a stubborn, cocky girl who takes her own way in life. She has dark hair that she wears in a ponytail and her turn are far from what typically are considered girl clothes. She wears loose fitted jeans, t-shirts, pullovers and hoods. Her better(p) friend, Leah, on the other hand is a cheerleader with long blond hair who dresses in skirts and is much of a girly-girl. As the Leah is introduced to the audience, the contrasting persona lities between the two friends are shown trough the mise-en-scene. When Juno calls Leah to tell her about the pregnancy, the camera cuts between the two girls and their bedrooms. Junos room has a shoebox feeling to it. There are photos of her friends, posters and different paintings all over the walls as well as the ceiling. She has plectrums laying all over her desk and a miniature electric guitar that gives away her interest for music. The dominating colors are earthy tones of brown, red and orange.Leahs room on the other hand is dominated by light colors such as pink, white, yellow and dim blue. She has stuffed animals on a shelf and big windows with thin, light curtains. Juno decides that the way to tell the bungles father, Bleeker, about the pregnancy is to set up a living room setting in his universal gravitational constant where she base break the news. When darkness falls, Leah is helping to move everything that is needed. They help for each one other to lift a heal thy armchair into the trunk of Junos car. In this scene, the armchair is a symbol for the pregnancy, something that only the girls know of so far. It is still a complex, heavy secret kept in the dark, just like the chair. Reirman uses color determine in a b avenue way through the film, especially when it comes to the characters clothes. In the loading of the armchair scene, Juno wears a red hood while Leah wears a blue. This steeplights the different personalities of the two young girls even more. As the pregnancy progresses the color of Junos clothes changes from the bright red hood to earthier, duller colors in green and brown shades.This color change reinforces Junos situation and the effect the pregnancy has on her life. some other example of color value being utilise is when Vanessa gets to see her son for the first time. She is then wearing a yellow sweater, typify the joy she feels after finally becoming a mother. A line she feels she has been born to. During a visit to the prospective adoptive parents Juno finds out that Mark is going to divorce Vanessa, sad and frustrated she heads back home. The camera is blastoff from the backseat as Juno is driving she is placed to the left of the frame and the long, empty road ahead of her to the right. This creates a movement from left to right, giving the viewer a feeling of optimism and that everything will work out for the best. The camera cuts to a panning accident as Juno parks the car by the side of the road. A cut to a low angle is made, showing a close up of Juno as she cries. The gray seat, ceiling and the steering wheel creates a tight frame around Juno.There is a claustrophobic feeling through the setting, which emphasizes the fragile state Juno finds herself in. Juno decides that if Vanessa is still willing to be a mom, Juno is willing to give her the baby. The majority of the film is shot in high key lightning, typical for comedy movies. This goes for the scene at the hospital when the baby is born as well. However, in the next scene this will change. The camera shows a close up of Mr. MacGuff as he pats the head of his fille who just gave birth. The lightning has gotten softer, giving the yellow color of the walls a warm soothing glow. There is calm and a balance over the scene, giving the feeling that everything is going to be okay from now on. The camera then cuts to a shot from Junos point of view showing Bleeker standing in the entrance opening. The walls behind Bleeker are blue and contrasting to the goldish colors in Junos hospital room.The colors and the separating walls become a metaphor for the cold reality Bleeker is just coming from, and the warm future that he is about to step into with Juno. A reality more suitable for two 16-year-old kids, where they do not have to be parents. Juno is a realistic film anchored in reality, there are several references to modern culture to underline this. Films and hobbits are mentioned, but the main thing is the mu sic. Music is a big part of Junos life and her personality. It also becomes a key element when Juno and Mark are bounding. They burn CDs to each other and discuss music by transonic Youth, Iggy Pop and Patti Smith among others. To convey that the film is told from Junos point of view, Reirman uses her voice over as rapid cuts are made of what she is talking about. This technique is used when Juno introduces her family. As she talks about her mother, who is living in Arizona, the camera cuts to long shot of a desert house in the middle of a beige field. The tone of Junos voice says that the mothers absence does not bother her that much, as to the dullness of the colors in the shot.The camera then cuts to extreme close-ups of the smiles of her mothers new family, the husband and their tierce replacement kids. To show the viewer that the mother has been out of the picture for a long time the camera cuts to a close up of legion(predicate) cactuses in a window. Junos voice over is exp laining that her mother sends her one cactus every valentines day. In Juno, the mise-en-scene is frequently used to strengthen the message of the film. By using color values, lightning keys and symbolism Reirman captures the contrasts of the story. I do not know if I would call Juno my favorite film, but it is definitely one of my favorite feel-good films. No matter what mood I am in, I always feel much happier and more positive after observation this film. I love the sarcasm in the film and I can see much of myself when I was 16 in Juno. I like how the film takes up such a controversial and taboo topic with as much humor as it does. To me it makes the film appealing alternatively of feeling as a moral message to teenagers.