The thesis in this look into paper will be applying Aristotles points and ideas on characters on a cataclysm play, and explaining what should be avoided reconcile to Aristotle. The tragedy play that is button to be the focus of this look for is The Crucible by Arthur Miller, which is in some way considered to be a modern tragedy while Aristotles ideas are shell in the age of classics, through applying this I am tone ending to prove if this tragic play has all the elements of a levelheaded tragic character, but because this play is full of many belittled characters , my focus is going to be on some of the massive characters . A tragedy is say to be a imitation of heartrending people(Aristotle 94) .It shows the act of serious people that do non use any kind of comedy in their presentation, they would in all likelihood show a lot of arguments and discussion that are truly essential to their lives, what ever incurs between the characters is considered to be highl y of the essence(p) to the eyepatch of the play, as it is going to affect the plot as a whole, that is the reason why any utterance said by the characters if in truth important.
In Aristotles elements of replete(p) tragedy, he mentions the raillery magnitude, which is very much related to the plot and characters of the play, but here(predicate) our focus is only going to be on the characters. order of magnitude is the transform from good to braggart(a) or vice versa from bad to good, in other words, a character in a tragedy must show the change from having a good possibility to loosing it, and that is calle d the reversal of fortune. In order for the ! play to be a tragedy, some thing serious must happen to the characters or... If you ask to get a full essay, order it on our website:
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